Crew
Directors |
Val Guest, Ken Hughes, John Huston, et al |
Producers |
Jerry Bresler, John Dark, Charles K. Feldman |
Writers |
Wolf Mankowitz, John Law, Michael Sayers et al |
Composer |
Burt Bacharach |
Editor |
Bill Lenny |
|
|
Trivia
Though this film is not part of the EON Productions official
series, a number of compilation albums and
CDs of James Bond film music actually
often incorporate one or both of two tracks from
this film, "The Look of Love" and "Casino
Royale", in their collections. The former
is one of Burt Bacharach’s most remembered and
successful
tracks. |
David Niven
Sir James Bond
|
Peter Sellers
Evelyn Tremble |
Orson Welles
Le Chiffre |
|
Vital Statistics
Running Time |
131 minutes |
Budget |
$12m |
US Box Office |
$22.7m |
Worldwide Box Office |
$19m |
Best Quote
Sir James: "It’s depressing that the words ‘secret agent’ have become synonymous with ‘sex maniac.’" |
|
Release Data
USA |
28 April 1967 |
UK |
13 April 1967 |
Australia |
8 September 1967 |
Denmark |
21 December 1967 |
France |
22 December 1967 |
Turkey |
1 April 1969 |
Spain |
11 December 1977 |
|
Production Notes
Respected Hollywood producer Charles K. Feldman had recently
acquired the rights to the Ian
Fleming novel "Casino
Royale" and its source material and had initially approached
the producers at EON Productions in order to collaborate
on an ‘official’ version of the debut 007 story.
However, after the complexities of "Thunderball" –
having co-produced the fourth James Bond outing with Kevin
McClory – Albert
R. Broccoli and Harry
Saltzman were reluctant (to say the least) to team up with another
production company. The parties could not come to
a satisfactory agreement and so parted ways, with
EON producing the Japanese-set "You
Only Live Twice", and Feldman, not wishing to compete with
the official series for viewers, opting to use the
rights to shoot an all-out 1960s spoof of the genre.
Feldman sought the backing of Columbia and secured a very respectable budget of $6 million to shoot his spoof, but the production ran into complexities and by the end of the protracted shoot, the budget was almost double that of the expected outlay. This would prove to be greater than that of "Thunderball", the last official 007 outing. The convoluted nature of the production required the assistance of many directors. Ken Hughes (who would later go on to direct EON Productions’ "Chitty Chitty Bang Bang") was brought onto the production to capture the Berlin scenes, John Huston worked with the cast in Scotland (doubling for Sir James Bond’s home), Robert Parrish worked on the scenes between Orson Wells and Peter Sellers (largely across the casino table), with Joseph McGrath and Richard Talmadge both contributing to the coordination of extra scenes.
The convoluted nature of the shoot was not helped
by its stars, Peter Sellers and Orson Welles, whose
feud in the midst of the production reportedly resulted
in the two actors unable
to work in the same room as one another. Additionally,
according to "The Life and Death of Peter Sellers", the
actor was unwilling to stick to the script (which
had already been written
and rewritten by a squad of Hollywood’s most creative
screenwriters) and insisted on dropping in his own
one-liners and dialogue. As
one critic said, Sellers’ desired "to turn the flattery of
the role (love scene with Ursula Andress and a hefty
sum) into a long-sought Cary Grant-type image." Director Val
Guest wrote that Welles did not think much of Sellers,
and had refused to work with "that
amateur". In the end, Sellers departed the production before
all of the planned material was in the can. Fans
to this day speculate whether he quit or was fired,
but all of that remains unknown but
hugely consequential to the fashion in which the
film ends.
"Casino Royale" attracted a number of
famed guest stars willing to make cameos with the
cinema stars Welles, Sellers and Niven. Peter O’Toole,
George Raft and Jean-Paul Belmond all
appeared in the film whilst Frank Sinatra and Sophia
Loren were set to make cameos but were unable to
attend the shooting.
As well as the bigger names, Ursula Andress, Vladek Sheybal, Burt Kwouk, John Hollis, Angela Scoular and Caroline Munro were among those cast members that had or would go on to perform in an EON Productions James Bond film.
The film was recently posted to YouTube in its entirety as one of six in a join venture between the studio and MGM. Fans from select global regions can watch it free of charge online today.
Capsule Reviews
"Niven seems justifiably bewildered by the proceedings, but he has a neat delivery of throwaway lines and enters into the exuberant physical action with pleasant blandness. Peter Sellers has some amusing gags as the gambler, the chance of dressing up in various guises and a neat near-seduction scene with Ursula Andress." — Variety
"But there is never much chance for the comedy, let alone for the original yarn (which, like all Bond stories, could not be taken seriously, but which at least was a story). The movie is too busy kidding the previous Bond movies, which kidded the books and themselves before they were in turn kidded by the U.N.C.L.E.s and Flints. Poor 007 is now lost in a hall of distorting mirrors. It is no surprise that by the last reel there is a distinct air of defeat about Casino Royale, as if the money ($12 million) and the time (134 minutes) had run out. The final footage shows the U.S. cavalry riding to Bond’s rescue, joined shortly by American Indians parachuting from planes and shouting "Geronimo!", the French Foreign Legion, and a Mack Sennett-style squadron of period policemen. This kind of keystone cop-out was done faster and funnier 34 years ago when the Marx Brothers made Duck Soup. But in those days comedies consisted of scenes and not herds." — Time
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